If ye like more than one genre of music, then there's a fair chance you will have heard of the classic tune, 'Duelling Banjos' from the film Deliverance. If not, here it is:
Now, I hope ye didn't just skim past that or decide to not read on at all, because ye have to admit there is some seriously good fretwork going on there - both from the guitar and the banjo. Mind you, I have never understood why it's called 'Duelling Banjos' when there's obviously only one banjo there... Ah well.
All petty nit-picking aside, my point is that ye know when there is a classic tune when it's covered by other artists. And yes, a quick search reveals that it's been covered by pretty much all the usual suspects from much of the country and western world. However, the mark of a true classic is when artists from outside the original genre take an interest and decide to put their own slant on it.
For many folks recently, the most obvious example is to be found on the DVD of Bill Bailey's Tinselworm tour. On this, our multi-gifted, intellectual and absurdist comedian comes back to do an encore. This is no ordinary stand-up encore, though - not by a long chalk. Waiting for him are the Hindi group known as the Bollywood Pandits. Hopefully, ye can guess what happens...
Bill Bailey is well known fer striking out and beyond what many folks would consider to be 'normal', but there are plenty of places that you really wouldn't expect to find a cross-genre influence creeping in. The musical form known as 'Oi' is an offshoot of the British wave of punk. One of the most well-known proponents of this were Sham 69 ('If The Kids Are United', 'Hurry Up Harry'), but there were plenty of other acts too, all recognisable by the football terrace feel to their music: The Piranhas, Splodgenessabounds and The Toy Dolls. The latter were more famous for their punky rendition of the kiddie classic 'Nellie The Elephant', but the following clip shows they weren't averse to dipping their toes in foreign waters...
Obviously, once something has entered the collective consciousness to a great extent, it's going to be ripe fer - how can I put this - less serious renditions. There may be gentle ribbing, fond homages and complete piss-takes. Again, modern technology steps in and the glory of engineering helps to shoehorn tracks into clips of film that, until now, did not fit.
To that end, may I thank Marc Bullard fer providing us with what I feel to be a future classic; 'Close Encounters Of The Redneck Kind'.
Close Encounters of the Redneck Kind from Marc Bullard on Vimeo.
Sunday, 22 November 2009
Evolution of a classic, part II; Tune!
Labels:
Bill Bailey,
classic,
comedy,
cover versions,
film,
music,
punk,
sci-fi
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